National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
Intentional using of overtones in vocal composition
Jelen, Bohuslav ; RIEDLBAUCH, Václav (advisor) ; BARTOŇ, Hanuš (referee)
The thesis maps possibilities of using overtones first from the performer's point of view and then from position of a composer writing vocal music. It is concerned primarily with overtone singing, in which the singer accentuates a concrete pitch which is then distinctly perceived not merely as colour. The other focus of the work is singing on vowels in which the singer accentuates certain "zones of resonance" through altering the sung vowel. These "zones of resonance" consist of several overtones that aren't perceived as pitches, they are perceived as colour.

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